Michael Moore Aggressively Bites the Feeding Hand

  • Posted by
  • on September 11, 2009
  • Filed in: Film

Michael Moore obviously doesn’t give a fuck. That being said, healing he definitely gives a fuck.

And that’s the essence of his persona. He’s the rebel with a cause. He’s the  little prankster that utilizes the sheepish grin in defense of God’s Americans. He’ll throw a tantrum and scream and yell until some Momma somewhere show’s the cookies.


I write that he doesn’t give a fuck because history holds that, ascariasis if one chooses to galavant as a filmmaker, ed one must bow to the studios.  They give the money, you take the money. They say you can’t have the money and you cry until a pillow is soggy. Moore, not too-surprisingly, does not conform to this paradigm. You may not agree with his politics or the methods in which he delivers them, but you have to admire the balls he travels with. Take the following quote as evidence.

Why would these companies give money to me, a guy who is diametrically opposed to everything they stand for? One of the beautiful flaws of capitalism is they will use the rope you give them to hang themselves if you can make a buck.

This bit of bewildered skepticism is targeted at Paramount, the studio which financed his latest documentary titled Capitalism: A Love Story.

He has more gems in the same FUCKYOU vein that reveal a man who knows exactly what his words will do and how they will be interpreted by the targets of his ire:

They are not an ideology, they are just about money. I can imagine the conversation – ‘Look what he’s said about us’ says one man, and other says ‘But look how much money he made.’

This is a very refreshing bit of honesty that goes a long way in calling out the latent sickness in the system. Most aren’t naive enough to believe a studio is interested in much more than making some bucks, but to articulate the extent at which they go for that buck, like Moore did,  is giggle-worthy.

Moore knowingly calls out the flaws because he is in a very rare and privileged sect of filmmaking (especially documentary filmmaking).  He is successful. Very successful. Call him a propaganda-slut if you want to, but the man was able to make millions of dollars on a 9/11 documentary. He was able to churn out green while making a documentary on fucking Columbine.

So, with this success, it gives him room to say exactly what he’d like to say. Which only further perpetuates his own wily-outsider legend. As evident by the cherry on top of his calculated tirade:

I have been saving up my money since ‘Sicko’ to get to this day. I will always make my own movies. Now I have my own money to make them.

I have often wondered what a man like that, a man with so many problematic issues related to our monetary system, does with the excess he garners from success.

To burn bridges and then build up your own in their place is exactly the sort of behavior that renders me susceptible to his manipulative charm. And it makes me glad he’s still around. Sitting in the back row of class, cracking-wise.

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